In the early
years of the 19th century a fashionable form of popular
entertainment was the peristrephic ‘Moving Panorama’. The Moving
Panorama was a large painted landscape sheet wound onto spools, which would be
cranked across a slightly convex surface, framed by a theatre style proscenium,
whilst a speaker provided a narrative description of the mural. Starting at
about 100 feet, some panoramas extended to over 1000 feet in length, and
depicted all manner of subjects, from cityscapes and ocean voyages, to battles,
arctic explorations or even an interpretation of Bunyan’s Pilgrim’s Progress.
Marshall Brothers of Edinburgh introduced moving Panoramas to the UK; the
travelling shows eventually became theatrical productions, incorporating music,
live performers, and visual and audio sound effects. They continued to remain
popular - in 1912, Poole Brothers
produced the Loss of the Titanic in eight tableaux – until cinema
eventually superseded the panorama in the 1920s. Molly Bloom, in James Joyce’s Ulysses
(1922) recalls, “I saw him and he not long married flirting with a young
girl at Pooles Myriorama and turned my back on him.”
Smaller versions, at about twelve
inches tall, were made as children’s toys; one of the earliest was sold as the Panoramacopia
or Endless Landscape Scenery of the Isle of Wight, from 1820, which gave
a continuous topographical representation of cottages, grain fields, carriages,
people, soldiers, fishermen and the beach from the island, which was being
promoted at the time as a new tourist resort. A drawing teacher, T T Dales,
made a variant of the panorama on eighteen interchangeable cards at about the
same time, which he also called a Panoramacopia.
In 1824, John Clarke of London
designed a set of sixteen cards, which were manufactured by Samuel Leigh and
sold for 15 shillings (75p) per set. Clarke called his design, ‘The
Myriorama’ selling it with the
description that it “ … is a moveable Picture, capable of forming an
almost endless variety of Picturesque Scenery". The cards were fully interchangeable, giving an
almost limitless assortment of possible combinations.
4 cards from Clarke's original Myriorama |
There
are modern interpretations available today from ‘vintage’ toyshops – this first
one is a twenty-four-card set based closely on an 1830s original from Leipzig.
4 cards from this set in one variation ... |
... the same 4 cards in a different order. |
This
next set was made in Germany in 1977 by F-J Holler. The box claims that there
are a possible 1,686,553,615,927,922,354,187,744 variations of the cards, which
seems a phenomenally large number but, of course, you do not have to use all 24 cards at the same time. It also claims that if
the (then) worldwide population of 5 billion people laid out a combination once
a second, it would take them 10,696,000 years to complete the possible
variations.
Seven cards in combination. |
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