So, Elgin got his money, the British Museum got his
marbles and the world got a controversy. Suddenly, everyone wanted a piece of
Greece including, unsurprisingly, the Greeks themselves.
Unsatisfied Greeks Meet |
In 1814, the Filiki
Eteria, a secret organization, was founded with the intention of freeing Greece
from Ottoman rule. Insurrections and revolutions began in 1821 and, to cut a
very long story far, far much shorter than it deserves to be, the Greeks gained
independence in March 1832. The war may have imposed a hiatus on archaeological
activity but it didn’t end the damage done to archaeological sites.
Trouble at Athens (again) |
Once again,
the Parthenon was subjected to artillery bombardment as, in 1826, Reschid Pasha
ranged his guns on Greek defenders on the Acropolis, with the Erectheum being
particularly damaged. The Turks were driven from Athens for the final time in
March 1833, leaving the city in ruins, with scarcely only one hundred habitable
houses left standing.
Athens |
Ludwig I of Bavaria, who had praised the Elgin marbles
when many were denigrating their importance, provided Greece with its first
King, when his son Otto was elected to the position in 1834.
King Othon arrives in Athens |
Otto Hellenized
his name to Othon, wore traditional Greek costume and moved the capital back to
Athens, but many Greeks felt that they had simply replaced the Turks, whom they
understood, with Germanic bureaucracy, which they didn’t.
Greeks dissatisfied with Bavarians |
Bavarian architects
and archaeologists moved in on the Acropolis with some, like Leo von Klenze,
proposing that the Parthenon should be rebuilt by combining what ancient
fragments could be recovered with modern building materials and techniques –
two columns on the north side of the colonnade thus treated illustrate the
folly of this project, which was thankfully abandoned.
The ruined Parthenon |
Another plan, which also
found little favour, was proposed by Karl Schinkel (the man also responsible
for designing the German Iron Cross), for a grand modern palace for the new
Greek monarchy, with the Parthenon restored merely as an ornament to it. Other
figures and other nationalities became involved, for better or for worse, but
under the Archaeological Society of Greece, systematic excavations were
conducted and all the areas not covered by buildings were examined down to the
bedrock, with finds placed in a new museum built in 1866.
Natural Disaster or the Hand Of Man? |
And just when it
seemed that the Acropolis would be spared any further damage, Mother Nature
herself intervened as an earthquake in 1894 threatened to do what the hand of
man could not manage, and it seemed that the Parthenon might topple. An
international commission set to work and once more the Acropolis seemed saved,
but Troubles in the Balkans, two World Wars, atmospheric pollution and acid
rain have all posed dangers of their own sorts over the years.
Greek ruins (pt 2) |
Back to the
controversy I mentioned at the outset. Inevitably, just as the Greeks wanted
their country back, they also wanted their statues back. Some countries
complied and sent back the stones they had taken from Greece. But the big one,
the jewel in the crown, was the Elgin marbles. Even as Elgin was busy ordering
the crates to ship them off to London, there were people pointing their fingers
and shouting ‘Thief’. Elgin pointed out, later, that he was simply moving the
statuary to a safe ‘asylum’ where neither invading armies could take pot shots
at them nor enterprising locals could burn the marble to make lime mortar. He
was doing ©Western Civilization a favour.
Modern Greece? |
This implies that the Greeks might
reasonably expect to get them back at a later date, but that later date has not
yet arrived, and so the Greek government regularly puts in a request and is
just as regularly turned down. This argument would hold much more water if the
British Museum was really just ‘looking after’ the marbles but it comes
down to how you define ‘looking after’. When Elgin unpacked his crates, the
marbles were a bit, shall we say, grubby. They were dirty, dusty and sooty, and
so they were given a bit of a clean. J J Winckelmann, doyen of Hellenistic
scholarship, had deemed that Classical Sculpture should be pure, pristine,
white marble, because he’d seen the Apollo Belvedere in Rome and that was pure,
pristine, white marble.
Apollo Belvedere |
Michael Faraday, the famous scientist, had a go at
cleaning the marbles in 1838, using first water, then grit, alkalis and acids,
but he despaired of ever getting the marbles white. Another attempt followed in
1858, which had little effect, and again in 1937, when scrapers, a chisel and
an abrasive stone were tried, which succeeded in removing some of the surface
of the stone (in places, up to one tenth of an inch), but the stones remained
‘dirty’. One problem is that Pentelic marble chemically reacts with air and
over time acquires a patina, the white marble turning into a pale honey colour.
According to taste and fashion, we currently like wood and bronze and copper
and such-like to have a patina, it gives a piece ‘age’ and ‘character’ and
every expert will tell you that the appeal (and financial value) of your
whatever-it-is will diminish dramatically if you get out the scouring pads. But
for some reason (not standing-up to the ‘experts’ being not the least) marble
should be white – and let’s not forget that the Greeks themselves had painted
their statues in very bright colours in the first place. Anyway, the Greeks
said that the British had spoiled their marbles and the British said that the
Greeks had spoiled the marbles to begin with and anyway they were Greeks for
crying out loud, what had they ever done for ©Western Civilization (apart from
getting it going, obviously, but you take the point).
Greeks, eh? What are they like? |
And, if museums started
giving everything back to the original places they came from, where would it
end? You’d only have museums full of things from you own country, which sort of
undermines one point of museums. In addition, what about our stuff that’s in
other peoples’ museums? Do we want all that back or can we do a swap? And what
about the gear we bought, surely we can keep the things we’ve paid for, leaving
aside the things we ‘acquired’ by other means. Then again, what about
foreigners that come here and buy a house to live in? You see where all this is
going? It all starts to get complicated very quickly. I’m not going to tell you
my position on the Elgin marbles, but have a think about your own position, if
you have a few minutes to spare. And then ask yourself why you think that.
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