Do you remember the advice by Lord Bertram Cranworth
to those intending to settle in British East Africa I quoted the other day,
here? He wrote,
“Bear in mind and act on the old maxim: Keep the spirits up, the bowels open, and wear flannel next the skin.”
As
with almost every opinion that one person has, there will be someone else who
favours the exact opposite idea. And so it goes. Here is the advice given by
the German Gustav Jäger,
“The air under the clothing can circulate outwards and upwards more freely than when a flannel under-vest is worn, as not only are the open spaces of the network much greater than the interstices of the flannel, but they are also too large to become blocked by the excretions from the skin.”
Gustave Jäger |
So, says Gustav, don’t wear flannel next to the
skin. It’s not good for you. Jäger was an advocate of the Rational Dress
movement. He wrote Health Culture in 1878, which was translated in to
English by Lewis Tomalin, who also, in 1884, opened an emporium selling Dr
Jaeger’s Sanitary Woollen System, (the brand, although passing through
various incarnations, exists to this day as Jaeger).
Gustave Jäger - Health Culture - Rev. Ed. 1907 |
In his book Jäger
advanced his theory that clothes made from animal fibres were much more
advantageous to the general health of the body, and those made from plant or
artificial fibres were deleterious to health. Jäger devised what he called his
Sanitary Woollen System, which was based on the theory that animals are covered
in animal fibres, whereas only mankind has devised clothing made from plant
fibres, making this an unnatural practice.
“Nature has clothed the animals. Man clothes himself.Animal Wool, which nature has created to cover an animal body, is the "survival of the fittest" clothing-material.”
Jager's Pure Camelhair Sleeping Bag |
He
thought that clothes made from animal wool allowed the body to breathe more
efficiently, that perspiration passed freely through the woollen fibres much
more efficiently, and any air trapped in the fibres warmed the body better.
Vegetable fibres (cotton, linen etc) trapped malodorous air next to the skin, prevented
exhalation, held moisture and suffocated the skin. Illness inevitably followed.
Jäger proposed that layers of clothing, all made from animal wool, were a much
healthier alternative. Underclothing should be made from sheep wool stockinet,
“It is also more supple than flannel, and therefore more durable, and is more agreeable to the skin, as it does not become knotty, while it is much less liable to shrink.”
He
fashioned a combination undergarment, which was a vest and drawers together
(what today, we call Long Johns), which became extremely popular in the late
Victorian period, and were worn worldwide. They are still available today,
although it is not quite as common as it once was to sew oneself in for the
winter.
Advert for The Union Underflannel |
Jäger’s view was that it all came down to the free flow of air. He
wrote that bedroom windows should be kept open all year round, to allow
ventilation, and beds should be covered by layers of woollen blankets, which
could be removed or added to, depending on the time of the year. He was opposed
to tight boots, which suffocated the feet, and was not keen on corsets,
although he felt it was the materials from which they were made that caused the
problems, rather than the tight lacing favoured by the fashions of the day.
Advert for The Emancipation Waist |
In
this point, he differed from other commentators, who pointed to tight lacings
as the cause of many of the problems in female health. Arguments against
fashion said that the tight lacing of the waist, with too little above it and
far too much below, was injuring women, by deforming their internal organs,
restricting breathing and forcing them to carry great weights of heavy cloth
hanging from their hips.
Bustle and Voluminous Skirt |
Some women were said to wear as many as seven double
layers of skirts, giving them fourteen layers of cloth wrapped around their
hips, which were soaked and mired in wet weather, adding to the weight, and
trapping air beneath them, whilst light blouses and shawls kept the chest
colder, giving great differences in temperature on the body.
Advert for corded waist garments |
Reforms were
called for, providing clothes that could be healthier whilst maintaining
propriety and female modesty. Early attempts were popularised by Amelia Jenks
Bloomer, but these were largely ridiculed and never really caught on. Elizabeth
Miller of New York invented the long, baggy Bloomers with cuffs about the
ankles, but Mrs Bloomer wore them in the 1850s and her name became attached to
them.
Punch - Bloomerism - An American Custom |
Punch was still ridiculing Bloomers fifty years later, and it
seems likely that the use of ‘bloomer’ meaning a mistake or error stems
from the ‘mistake’ of wearing the garment.
Punch - A Modern Waist |
The
constriction of the waist in whalebone corsets reached ridiculous proportions –
it was said that the waists of some women could be encircled by the fingers and
thumbs of a man’s hand (not that such a thing was to be encouraged), and
Emancipation Bodices were developed, which were buttoned about the entire torso
and from which the various skirts and petticoats could be hung, reducing the
pressure on the waist and hips.
Advert for The Emancipation Suit |
Jäger invented his own Emancipation Bodice,
made entirely from wool and stiffened with cords, although they were so popular
many manufacturers produced versions of their own. In 1881, the Rational Dress
Society was founded in London, and its members were quick to realise that it
was not only in matters of fashion were reforms needed (and possible). The
question of female emancipation was not new (Mary Shelley’s mother, Mary
Wollstonecraft, had published her The Vindications of the Rights of Women
in 1792), but dress reform was integral to the achievement of women’s suffrage.
Abba Goold Woolson - Dress Reform - 1874 |
One surprising aspect came with the development of the bicycle. As the
Victorian fad for bicycling grew and grew, it was only natural that women
wished to participate, particularly as the health-giving properties of the
fashion were widely proclaimed. Obviously, the crinolines, bustles and long
skirts of high Victorian fashion were entirely impractical for cycling, and one
change was the divided skirt, championed by the President of the Rational Dress
Society, Lady Harberton, which was also called the ‘dual garmenture’. Pretty
soon, a fashion for cycling suits was born – as witnessed in this cartoon from Punch,
with the caption,
“Gertrude. "My dear Jessie, what on earth is that bicycle suit for! “?Jessie. "Why, to wear, of course."Gertrude. "But you haven't got a bicycle!'Jessie. “No; but I've got a sewing machine!”
Punch - 1895 |
Bicycles
were especially popular among the growing lower middle class, those respectable
young men from the offices and shops. They could not afford the new automobiles
but they could afford bikes, and on the new ‘day off’ at the weekends, they
could use them to get out of the towns and into the countryside. Physical
mobility became an aspect of social mobility. And wives, sisters and daughters
wanted part of the action.
Bicycling Cartoon - Punch 1895 |
Some of the conservative critics looked down their
noses but who could really object if propriety was properly observed – all that
was needed was a chaperone. Cycling clubs and touring societies were founded
and remain just as popular – one of my great pleasures is to take a spin around
the back lanes of Lancashire on a sunny day. Thanks to the success of the
British cycling teams in the 2012 Olympics, it is now one of the fastest
growing and most popular leisure pursuits in the country.
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